5 days ago
“The overall result of Margaret Kilgallen’s work was impure Americana, a slightly acidic nostalgia that evoked sideshows, tramp art and old travel posters with infusions of feminist wit. Her women smoked, fought, surfed, played the banjo and occasionally hooked up with men.” —Roberta Smith, The New York Times

“The overall result of Margaret Kilgallen’s work was impure Americana, a slightly acidic nostalgia that evoked sideshows, tramp art and old travel posters with infusions of feminist wit. Her women smoked, fought, surfed, played the banjo and occasionally hooked up with men.” 
—Roberta Smith, The New York Times

1 week ago
PCP
2 weeks ago
Michael Jackson and Bubbles, 1988. by Jeff Koon’s

Michael Jackson and Bubbles, 1988. by Jeff Koon’s

1 month ago
Edwin Ushiro
1 month ago
Rob Sato
1 month ago
“Big Nudes,” Milton Glaser’s 1969 poster for the main gallery of the School of Visual Arts.

“Big Nudes,” Milton Glaser’s 1969 poster for the main gallery of the School of Visual Arts.

Yoshitomo Nara
1 month ago
Kazimir Malevich’s abstract paintings belong to the intense period of artistic experimentation that coincided with the 1917 Revolution in Russia. He abandoned representative images in favour of what he called Suprematism in 1915. In these works he used severely reduced geometrical forms – most famously a black square on a white canvas – whose meditative quality served as secular equivalents to Russian icons. He soon moved towards greater energy in paintings such as Dynamic Suprematism in which forms pull and push without relying on any reference to the physical world. (via Tate)

Kazimir Malevich’s abstract paintings belong to the intense period of artistic experimentation that coincided with the 1917 Revolution in Russia. He abandoned representative images in favour of what he called Suprematism in 1915. In these works he used severely reduced geometrical forms – most famously a black square on a white canvas – whose meditative quality served as secular equivalents to Russian icons. He soon moved towards greater energy in paintings such as Dynamic Suprematism in which forms pull and push without relying on any reference to the physical world. (via Tate)

A strange thing happened when I tried to paste a smart object from illustrator directly into photoshop. It was also the first time I saw the JPEG icon up close. It’s a coded message. It’s art, dad.

A strange thing happened when I tried to paste a smart object from illustrator directly into photoshop. It was also the first time I saw the JPEG icon up close. It’s a coded message. It’s art, dad.

1 month ago
Its Not me Thats Crying Its My Soul, Tracey Emin, 2011

Its Not me Thats Crying Its My Soul, Tracey Emin, 2011